Minor 7 Arpeggios On The Guitar – CAGED Positions and Theory

Minor 7 Arpeggio Frets Position 1

The minor 7 arpeggio contains the following:

1 – b3 – 5 – b7

It can be thought of as a minor arpeggio, with an added b7. It is a very important tool for any guitarist because it can be used very effectively with a range of minor scales, such as the dorian scale, aeolian scale and minor pentatonic scale.

As with any arpeggio or scale, we want to master 5 movable shapes. Let’s look at the 5 movable minor 7 arpeggio shapes, using Cmin7 as the example arpeggio:

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Major Arpeggios On The Guitar (CAGED Positions and Theory)

G Major Arpeggio 3rd Position Frets

In this post, we are going to look at major arpeggios and the different movable positions for major arpeggios on the guitar.

Many guitarists spend a large amount of time mastering scales and often place less importance on arpeggios. This is a mistake. Arpeggios are a very important part of guitar mastery. There is no better way to ‘get inside’ the sound of a chord than by using arpeggios. Just like anything on the guitar, there is an art to using arpeggios in a musical way, but a large part of the challenge is to simply learn the shapes and be able to play them fluently.

Major arpeggios are particularly important because the major triad is arguably the ‘master chord’ in all of western music. The purpose of this post is not to delve to deeply into chord theory, but a major triad contains the 1, 3 and 5 of a major scale and all other chords can be related in someway back to a major triad.

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