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	<title>Comments for Online Guitar Books</title>
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	<description>Online Guitar Books - Books for guitar teachers and players</description>
	<lastBuildDate>Mon, 20 Feb 2012 10:21:33 +0000</lastBuildDate>
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		<title>Comment on Guitar Modes Explained &#8211; A Complete Guide in Theory and Practice to Understanding Modes by Guitar Man</title>
		<link>http://onlineguitarbooks.com/2011/11/20/guitar-modes-explained-a-complete-guide-in-theory-and-practice-to-understanding-modes/comment-page-1/#comment-2823</link>
		<dc:creator>Guitar Man</dc:creator>
		<pubDate>Mon, 20 Feb 2012 10:21:33 +0000</pubDate>
		<guid isPermaLink="false">http://onlineguitarbooks.com/?p=2463#comment-2823</guid>
		<description>Thanks to my mate Stevo for the correction!</description>
		<content:encoded><![CDATA[<p>Thanks to my mate Stevo for the correction!</p>
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		<title>Comment on Functional Harmony &#8211; The Relationship Between Chords And Modes by Guitar Man</title>
		<link>http://onlineguitarbooks.com/2012/01/06/functional-harmony-the-relationship-between-chords-and-modes/comment-page-1/#comment-2822</link>
		<dc:creator>Guitar Man</dc:creator>
		<pubDate>Thu, 16 Feb 2012 19:09:28 +0000</pubDate>
		<guid isPermaLink="false">http://onlineguitarbooks.com/?p=3135#comment-2822</guid>
		<description>Cheers Jim. All fixed now!</description>
		<content:encoded><![CDATA[<p>Cheers Jim. All fixed now!</p>
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		<title>Comment on Functional Harmony &#8211; The Relationship Between Chords And Modes by Jim</title>
		<link>http://onlineguitarbooks.com/2012/01/06/functional-harmony-the-relationship-between-chords-and-modes/comment-page-1/#comment-2821</link>
		<dc:creator>Jim</dc:creator>
		<pubDate>Wed, 15 Feb 2012 04:38:47 +0000</pubDate>
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		<description>Great blog,

small error 
There are 4 types of triads:

Major – 1, 3, 5
minor – 1, 3, 5
Augmented – 1, 3, #5
diminished – 1, b3, b5

minor should read 1, b3, 5</description>
		<content:encoded><![CDATA[<p>Great blog,</p>
<p>small error<br />
There are 4 types of triads:</p>
<p>Major – 1, 3, 5<br />
minor – 1, 3, 5<br />
Augmented – 1, 3, #5<br />
diminished – 1, b3, b5</p>
<p>minor should read 1, b3, 5</p>
]]></content:encoded>
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		<title>Comment on Lydian Mode Explained &#8211; A Complete Guide In Theory And Practice by Guitar Man</title>
		<link>http://onlineguitarbooks.com/2011/05/10/lydian-mode-explained-a-complete-guide-in-theory-and-practice/comment-page-1/#comment-2818</link>
		<dc:creator>Guitar Man</dc:creator>
		<pubDate>Mon, 30 Jan 2012 07:23:56 +0000</pubDate>
		<guid isPermaLink="false">http://onlineguitarbooks.com/?p=1041#comment-2818</guid>
		<description>Thanks Mitch for correcting me on the error!</description>
		<content:encoded><![CDATA[<p>Thanks Mitch for correcting me on the error!</p>
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		<title>Comment on WHAT IS A MAJOR SCALE? by Major Scales On The Guitar &#124; A Complete Guide &#124; rightnowmusic.com</title>
		<link>http://onlineguitarbooks.com/2010/10/31/what-is-a-major-scale/comment-page-1/#comment-2817</link>
		<dc:creator>Major Scales On The Guitar &#124; A Complete Guide &#124; rightnowmusic.com</dc:creator>
		<pubDate>Sat, 28 Jan 2012 05:05:18 +0000</pubDate>
		<guid isPermaLink="false">http://onlineguitarbooks.com/?p=39#comment-2817</guid>
		<description>[...] you are totally new to major scales and the theory involved, you should check out the post about understanding major scales on the [...]</description>
		<content:encoded><![CDATA[<p>[...] you are totally new to major scales and the theory involved, you should check out the post about understanding major scales on the [...]</p>
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		<title>Comment on Chord Theory And Construction On The Guitar by Major Scales On The Guitar &#124; A Complete Guide &#124; rightnowmusic.com</title>
		<link>http://onlineguitarbooks.com/2010/12/20/chord-theory-and-construction-on-the-guitar/comment-page-1/#comment-2816</link>
		<dc:creator>Major Scales On The Guitar &#124; A Complete Guide &#124; rightnowmusic.com</dc:creator>
		<pubDate>Sat, 28 Jan 2012 02:14:25 +0000</pubDate>
		<guid isPermaLink="false">http://onlineguitarbooks.com/?p=105#comment-2816</guid>
		<description>[...] relating to soloing, composition, chord construction and the formation of other scales. When you construct chords, you are actually using the notes from a major scale to do so. For example, to play an F major [...]</description>
		<content:encoded><![CDATA[<p>[...] relating to soloing, composition, chord construction and the formation of other scales. When you construct chords, you are actually using the notes from a major scale to do so. For example, to play an F major [...]</p>
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