It can also be thought of as the Major triad arpeggio with an added 7.
As with an arpeggio or scale, we want to master 5 movable shapes along the fretboard. Let’s look at the 5 movable shapes of the Major 7 arpeggio, using Cmaj7 as the example key:
Links to individual keys will be listed here soon. For now, practice the major arpeggio in the positions demonstrated and try moving them around.
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