1 – b3 – b5
There is a minor 3rd interval between the root and the b3, and the b3 and the b5.
As with all arpeggios and scales, we want to be able to play 5 movable shapes across the fretboard. Let’s look at the 5 movable shapes of the diminished arpeggio, using the C Diminished arpeggio as an example:
Links to individual keys will be posted here soon. For now, have a go at memorizing the shapes and changing keys.
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